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When looking at Giotto's figures in the Arena (Scrovegni) Chapel, we can observe the following characteristics:
1. The figures in the Arena Chapel are bulky and monumental, which means they have a solid and substantial appearance, emphasizing their importance and presence within the artwork.
2. These figures do not show the overwhelming influence of Byzantine art. Instead, Giotto's style is known for moving away from Byzantine traditions towards a more naturalistic representation of human figures.
3. The figures in the Arena Chapel are not flat; instead, they exhibit a sense of volume and three-dimensionality. Giotto's innovative use of light and shadow helps create a sense of depth in his figures, making them appear more lifelike and occupying a three-dimensional space.
4. Giotto's figures are not highly stylized in the Gothic manner. While they do exhibit some elements of the Gothic style, such as intricate drapery, Giotto's focus on realism and emotion sets his work apart from typical Gothic stylization.
In summary, Giotto's figures in the Arena Chapel are bulky and monumental, exhibit three-dimensionality, move away from Byzantine influences, and are not highly stylized in the Gothic manner.
