In Edgar Allan Poe's "The Philosophy of Composition," how does Poe say he creates contrast when the bird first appears in "The Raven"?
ABy having the bird come in from a storm to a quiet chamber
BBy making the bird's eyes blue at first and then deep red later
CBy making the bird talkative at first and mute later
DBy having the bird come in from the sunny outside to a dark chamber
ABy having the bird come in from a storm to a quiet chamber
BBy making the bird's eyes blue at first and then deep red later
CBy making the bird talkative at first and mute later
DBy having the bird come in from the sunny outside to a dark chamber