Like freestanding sculpture, such as Gianlorenzo Bernini's Apollo and Daphne twentieth-century kinetic sculpture, such as Alexander Calder's La Grande Vitesse in the Vandenberg Center, Grand Rapids, Michigan
Ais intended to be touched by the spectator, who remains stationary
Bis usually made of marble or alabaster
Ccan be appreciated aesthetically from multiple perspectives
Dis made entirely by hand, except for the pediment
Ais intended to be touched by the spectator, who remains stationary
Bis usually made of marble or alabaster
Ccan be appreciated aesthetically from multiple perspectives
Dis made entirely by hand, except for the pediment